Do not post a thread specifically to share your personal opinion on albums, mixtapes, songs, artists or their actions, instead look for an existing thread in which to comment or post your opinion in a Daily Discussion thread. 
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Rumors without sources and threads with misleading titles are not allowed. No Rumors, Speculation or False Information Overused comments including, but not limited to "this ain't it, chief", "Russ takes an L", "did you hear sumn", "youweird", "quack", "Does it look like I got left off Bad & Boujee?", "delete this, nephew", "dings in the whip", "fire", "we really out there" & "hoovaq" and any derivitives thereof are not allowed. 
Lyric chains, which are responses to comments that continue the lyrics of a song posted in a previous comment, and similar comment chains are not allowed. Memes, photos and fan art are never allowed (see /r/hiphopcirclejerk/, /r/hiphopimages/ or /r/freshalbumart/.) Images must posted within the body of a text-only/self posts, not linked directly. Do not post images unless they contain newly-released album artwork, a track listing, tour dates, or other images containing relevant information that has not yet been posted. Live performances of songs from albums or collections on the Overposted/Favorites List may be posted when they are new, but they may not be reposted. Do not post songs from an album or collection on the Overposted/Favorites List. Do not post a song or a live performance of a song that has received more than 45 upvotes in the last 365 Days. No Reposts or Overposted/Favorites List Songs "Where is the line between biting and paying homage drawn?") If you are seeking the answer to a question about the name of a song, the source of a sample, the status of a project, the meaning of a line/song, the appeal of an artist, etc., ask in one of the recurring threads. The only exceptions are for appropriate threads (e.g. Do not post questions or requests outside of the Daily Discussion, Music Recommendations or Sunday General Discussion threads. Users who are found to regularly start/engage in flame wars or harass other users may be banned at moderator discretion. will be removed and may result in a permanent ban at the moderator's discretion. Additionally, comments deemed overtly racist, sexist, homophobic, transphobic, etc. Unwelcome content and prohibited behavior as defined by Reddit is never allowed. No Unwelcome Content or Prohibited Behavior Please read the Guidelines/FAQ before posting! Favorites/Do Not Post Listĭo not post songs from projects or collections listed on the Overposted/Favorites/Do Not Post List. The latest music, videos & news relating to your favorite hip-hop, R&B & future beats artists. Stern support from the slain Bankroll Fresh excepted, the guest appearances are extraneous.Welcome to /r/HipHopHeads! /r/Hiphopheads COVID-19 Donations Thread Jeezy doesn't say much that deviates from previous ice-veined rhymes, but he attacks just about every track with intense focus and ferocity. The other tracks - seven from D Rich, one or two each from a short roster that includes Mike WiLL Made It - tend to be equally or only slightly less brutal in tone. Over bulky drums and baleful strings, Jeezy's gruff-as-ever voice is often layered, making it easy to picture his competitors looking up at him from the ground, stupefied, receiving a beat down with triple vision. Three cuts produced by old associate Shawty Redd loom particularly large. Little sermonizing is involved, his pulpit evidently converted to a pallet for transporting product as he threatens and gloats. Volume three, released six years after the first sequel, seems to carry the weight of a proper studio recording, not a mixtape, though Jeezy said "It ain't an album, it's a way of life." This way of life is loud at almost any volume, seemingly designed to sound imposing in every setting. As ever, there's nothing seasonal about this snowman - like the rapper proclaimed on previous album Church in These Streets, hustling is year-round, nonstop business - and the first two volumes of Trap or Die were mixtapes served to the streets. Jeezy's approach on his seventh Def Jam album is signaled clearly by its cover and title.
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